A Rope of Blackness

As I travel, securing just food becomes more critical and urgent affair. My visit to Bilbao and more specifically my walk through the new part of the city, I was struck by the Monument of the Sacred Heart. That monument is like a big narrow stone with a statue of the image believed to be that of Jesus Christ that stretches up to 131 feet from the ground.

I intentionally used the word believed because no one know how Jesus looked like and it is not even universally agreed whether he existed or not. Everyone is welcome to believe whatever they choose, but one thing that we can all agree upon is that his depictions throughout history has not been consistent over time. In short, the image of Jesus has changed over time to depict his political status of a particular period. The image we currently associate with Jesus is the interpretation of Michelangelo following the acceptance of Christianity as a state religion in Rome.

I looked at the statue from a far in disbelief. I couldn’t believe it’s dominance of the skyline, but even more importantly about the psychological impact of looking at a figure that 131 feet up in the air when so much of the history of the figure is questionable. There is the genocide conducted by men under his burner as the attempted to convert indigenous people into supposedly better people. Millions were killed, turned into slaves, converted into a new religion or permanently injured.

As I looked up at the towering figure with three fingers as though in the process of imitating a pistol, I thought about the dark cloud that followed the expedition of C. Columbus over the global food system. While I suspected that the three fingers mostly likely had to do with the idea of trinity, I opted for a different interpretation. I noted the trail of tears caused by what is known as the Columbus Exchange. Again, the writers of history decided on the interpretation of history. The truth of the matter is our global food system in tainted by that dark history that ties an ever increasing number of people to the curse of that expedition. While many look to the sky for assistance, I eat defensively as act of uncivil disobedience.

As I recovered from my dream-like trance, I realized that we had been walking for a while. I looked back and could vaguely see the chicks of the colossus, I swallowed a load of saliva in my mouth. I could feel my Adam’s Apple dislocate and retract swiftly. As I processed the fact that my body part was associated Adam, I smiled. It was a reminder how Adam, Columbus and Michelangelo had influenced our food. Whatever I might say about Columbus and Eve, Adam and Adam’s Apple seem most practical and useful as a metaphor. Every time we swallow unjust food, we are essentially committing the same error that Adam made by using someone else as an excuse of eating unjust food.

Being A Witness Of The Absent

The first place I went to upon arrival in Madrid was the Thyssen Museum, literally 20 minutes walk from where I was staying. Thanks to Alajendro Osses for listing the museum as one of the recommended places to visit. I can’t even remember any of the other spots on the list of recommendations. I quickly grabbed something to eat from my packed food and headed out.

I was especially interested in the exhibition that was ongoing looking at colonialism through art. My relationship with museums has been an ongoing struggle for more than a decade. It a complex relationship that cannot be easily defined. One one hand I am deeply bothered by the depiction of the racist history museums have managed to preserve for our consumption today but on the same breath, I am keenly aware of the potential that museums have for helping address those historical injustices to so obvious. It is on such hopeful account that I have continually engaged the North Carolina Museum of History and North Carolina Museum of Art in various engagements.

The North Carolina Museum of Art placed a video of one of my dinners where I talked about the connection between food and art. That short video clip played continuously on the floor of the museum for years. The same museum further invited me to write the interpretation of piece by Christian Mayrs, entitled Kitchen Ball at White Sulphur, Virginia 1838. The piece of art was significant on two accounts. It was the first major piece of work that depicted enslaved African in any celebration scene besides just toiling for their enslavers. To make things even better, I was being paid the average of $1 or $2 per word. But the part is I was able to come up with a food story.

I spent a good part of three hours going through the exhibition on Colonial Art. The theme and the message were loud and clear: art in major museums are an integral part of the colonial project both during the legal period and the de facto period.

One of the pieces I was familiar with but had never seen before was Family Group In A Landscape, Frans Hals 1645-1648. You can see the African boy almost being absent. I was glad to salute him and be a witness. So on my way back to the house, amid a heavy heart, I took a picture of myself with an expensive building as the landscape. But It wasn’t for me but for all those names and absent Africans whose labor created some of the landscape and buildings we enjoy today.

As I walked home with a conflicted heart, I couldn’t help but imagine the enslaved African young man as a symbol of the modern day stomach. Just like the way the young man on the photo disguises the greatest injustice to any group of people, our stomachs are becoming the silent scene of genocide as more and more people consume unjust food just like the wealthy family from Netherlands down pay the injustice that is smack in their face. Many descendants of the enslavement and colonization across the globe are continuing this unequal relationship by consuming food that relegates them to the landscape. Sadly, on that note, the modern landscape is colorblind, though it affects the indigenous communities and people of color the most. Thayũ

Linguistic Culinaria

Sodupe is a small town of less than 3000 people but very old history. The town is so old that its language almost died and it is now coming back with force. That means that the language is being taught in schools for the first time in a long time. The amazing dynamism of language in town is that there is a host of new immigrants to Sodupe from a host of countries such as Ukraine most recently, Kenyans, Nigerians, Moroccans, Pakistanis and Nigerians. The Nigerians and Pakistanis have already opened food businesses importing food from their home countries.

The population of Basques population is declining and the local government is offering generous incentives for families to have children. The Basque region is hunting for numbers in its population in order to have enough people to qualify for self rule.

It will be interesting to see the culture of the town changing in real time but also observing how that change is being largely influenced by global events happening thousands of miles away from the sleepy hamlet largely due to problems related to the empire building that started almost 600 years ago. While the Spaniards explored distant lands, disrupting those communities and enslaving many as free Labor, some of those communities are proving to be a lifeline in their very reverse migration. I wonder how it will all play out as the future town, and the country at large, becomes darker in hue but also in culture.

I thought about rapid change at a local tiny vegetable shop that was probably the forerunner of the modern day supermarket when the attendant pointed out that they preferred that I don’t touch the vegetables. The protocol is that I should have pointed out what I wanted and the attendant picks it for me, weigh it and pack it for me. The supermarket just across the street has already moved to the free style shopping where everyone can pick their vegetables.

The changes in linguistic landscape also marks an even greater change in culinary landscape. It would be an interesting discipline combining linguistics and culinary and how they influence each other. My hosts speak 5 languages in a house of 3. Here is one city in need of a food literacy campaign to move consciously towards a future that is convoluted in serious ways. It’s an issue that they will need to address sooner than later. But one thing is for sure, they will have to face and balance diverse interests.

Tea Dialects

Gathǐngǐra Fortune Flavors

On this day of 16th of September exactly 112 years ago, one of the greatest pirates for the last millennium was born. Robert Fortune was a Scottish botanist, thief and spy responsible of the most lucrative espionage that would lead to the creation of the first multinational company known as the British East Indian Company. The ideal was diabolical as it was sinister. The British, the most powerful empire at the time, wanted to get control of a drink owned by the Chinese by growing it in land owned by Indians. As an after thought, that dodgy experiment would fundamentally change my village indigenous brew by casting it into oblivion. The British East Indian Company was the tool to achieve that goal and the main man for the job was Robert Fortune.

The story behind the struggle for the control of tea is one that affects almost all of us in one way or another as it led to creation of the modern global system with all the inherent injustices and instability. That instability started by intentionally addicting the Chinese to opium an a massive scale. That addiction to drugs of one kind or another followed the trail of tea as it was spread across the world by the British. I have come to name the tea trail as the Tragic Tea Trail of Torture.

For a start, China and India were colonized and turned into clients of the British empire. The submission of the Chinese came after two wars known as the Boxer rebellion. Two major treaties, starting with the 1842 Treaty of Nanking were signed between China and the Western allies. After each defeat, the Chinese were forced to open more of their country to the western countries, especially the British, French and the Dutch as well as allow the sale of opium in China. The British also curved Hong Kong from China until 1999.

As tea transitioned from the control of the Chinese to the British, it found its way to all the regions under the control of the British. My village of Gathǐngǐra happened to be one of the many places that would pay a heavy price tea wars between Britain and China. The British introduced tea in my village in early 1940s and 50s and the village has never been the same again.

Before the village was invaded by the blood-soaked leaf the local would delight their morning with root that looks like Tumeric known as Kǐgwa Kǐa Arǐithi. We are challenging the tea stranglehold on tastebuds by reimagining how the old brew can be part of the future of my village and beyond. I grew the first batch and found a tea enthusiast who pay a hefty price for the tea. That is the fortune that we celebrate today. That tea which was less than a kilo cost the equivalent of hundreds of kilos of the colonial & invasive tea.

Even before I made the recipe that best exemplifies the current state of our farm and all the multiplicity of eclectic indigenous as well as exotic ingredients that have been obtained without stealing or spying but through exchange and gratitude, I had to start with naming my creation. I named my new drink Fortune Shepherd as a hint of our estimation of our mission. We are truly fortunate to be growing things like Black pepper corns along with all the ingredients on the recipe except cardamom. consider A recipe is loading. We are shepherds of flavors, both local and international. Interestingly, the key ingredients known as Kǐgwa Kǐa Arǐithi literally means the sugarcane of the shepherds. I could think of no better name for the recipe. Names are powerful and have energy. Welcome to the flavors that the above energy has inspired.

I offer the recipe from a place of abundance for that is our traditional and standard. We are a wealthy people with a giving heart just like our ancestors. Robert Fortune and his thieving ways was followed by many failures. The tea that he grew in India was not popular in the market and that costed Robert Fortune’s benefactors dearly. The biggest price however was paid by the Chinese, the Indians and indigenous people whose food ways was swallowed by the vampire ways of an empire called greed. Luckily my village is ready for a rescue mission.

Fortune Sheperd

Chef Kabui

1 Teaspoon of Grated Kǐgwa Kǐa Arǐithi

1/2 Teaspoon of grated Ginger

1 teaspoon of minced fresh Spearmint

2 teaspoons of chopped Lemongrass

5 crashed ripe Loquats

2 fresh minced Guava leaves

4 crushed Black Pepper corns

3/4 cup of fresh Sugar Cane juice

A pinch of Cardamom powder.

4 cups of Hot water

Makes 5 to 6 servings

Afro-Memphis Lentils Soup

1 lbs French Lentils & Beluga Lentils

3 Tbsp of grated Fennel Of Florence

1/2 lbs Portobello Mushrooms

1/2 cup of grated Parsnip

1/2 cup of grated Fennel of Florence

1.5 cups of Red Onions

1.5 cups of chopped fresh Tomatoes

1 Tsp of chopped Fresh Basil

3/4 tbs of crushed Black Pepper corn

1 tbs Ground Cumin

1/2 cup olive oil

2 Tsp salt

1 lbs Jasmine rice

5 cups of chopped Kale

1 cup of grated Purple Sweet Potatoes

1 cup of the stalks of the Curley leaf Kale

1 lbs Daikon Radish

1 lbs Tomatoes

Process. 

Soak 1 lb of equal mix of French and Beluga lentils in cold water for at least 4 hours. Drain the soaking water and add fresh water until all the lentils are under water, bring to a boil and turn the heat to medium for the next 30 to 35 minutes. You will know they are done by testing for softness. Please note that these two types of lentils stay more firm even when fully cooked compared to other lentils. 

In a separate pot add the ingredients except the mushrooms and the tomatoes. Add add one tablespoon of salt and turn the heat on medium. Keep stirring for about four minutes.

Add the tomatoes and stir periodically for about three minutes

Add the mushrooms, Cumin, Crushed BlackPepper cone, chopped Basil, and Powdered Clove and stir for two minutes

Add the lentils and stir for about two minutes

Add 6 to 8 cups of water and all the Kale, bring to a boil again

Add  the rice and cook for about four to five minutes

Garnish the soup with grated Nutmeg or finely chopped Parsley

Add the olive oil right before serving

Serves 10 servings

Death Before Death

Born to Live

I recently received this photo from Nancy Goodrich Davis, one of the two mothers in have in Memphis. My children almost fainted from laughing at their father at 22 years. But my mind was in a totally different place. I was especially struck by the level of confidence I can clearly detect. Part of the confidence is from the level of comfort I have always had the fortune of having at every point of my life.

The Davis family were truly warm and I felt at home. I would share some of my holidays away from home at their house and enjoy the White experience. I would the spend the rest of my holiday with my African American family of the Warrens. Annie Felix was the eldest daughter of Warrens and she demonstrated the most amazing patience with me in ways I cannot express.

The Davis family moved to Texas before I graduated and we lost touch. But we stayed in each other’s hearts. While riding in a cab two years ago, being always social, she learned that the Uber driver was a graduate of my Alma Mater. She responded that she used to know a Kenyan student attending the college. The driver replied that the only Kenyan he remembers was me. Her heart skipped a beat and inquired if he knew my where about. All he could remember is that I became a chef in New York somewhere. Mama Nancy googled my name and my website popped up. I received a message from Kenya and immediately called her. We were gladly connected again and I visited the family the following year. It was a joyous reunion. The only sad part is that while the house May way bigger than their first house, it was exponentially quieter. There were no Japanese students visiting or their children with whom we had bonded like brothers. But I didn’t have any hair either. Yet the hearts we just as warmer if not more warmer.

I was so happy to prepare them a meal as a token of appreciation for the many meals they prepared for me. They would always question me to make I wasn’t having any kind of challenge in my stay in Memphis as well as school.

Having a White family that I was very close at a young age was extremely helpful as I articulated my way around the issues of race. I was a radical student and deeply concerned about the plight of African Americans and by extension Africans. My experience with the Davis family taught me that not all White people were racist. I developed a balanced approach to navigating a mostly White-dominated power environment with fear or any feelings of being lesser than any White person. That small fact has fostered positive collaboration between a good number of Whites without losing myself. I learned that I can be myself and still achieve and perform what I desire to do.

One example was a conversation I had with my children about how I want to be buried when I die. I gave them the option of burying me in a pair of boxers and a t-shirt. No money collected upon my death, no journey to mortuary to pump me with chemicals to enhance my handsome face and no preaching at my my funeral. I also insisted that it should be strictly a family affair. I love all my friends and give them my time while I am alive. I will not need anything when I die. No flowers and no tears. I have lived my life and had plenty of fun. I have eaten some of the best food I could find. I have given freely of my talents and my apologies. I would hate anyone to shed a tear. I am not that poor that I can’t have a family that can bury me on a budget they can afford. Sending my children money as a form of prayer is dishonest to me. If I take them on vacation and the like, why can’t I afford a few thousand to cremate my body or bury it naturally. The resources that my community has should be invested in things that improve the community such as food systems, food literacy, parks and libraries. I reminded them in my culture , there is no death, we used the word rest or sleep instead of death. The only tragedy that warrants mourning is the passing away of a father without having directed his family on how to handle his estate. Otherwise resting, especially when you have left your family in a healthy state is a joyous affair. The missionaries totally confused our community.

My children laughed and asked me where I got those crazy ideas from. I replied that I spend a lot of time learning and having made so many mistakes, I do my best not to repeat them. It’s dishonest for them to ask others whom I don’t even talk to to mourn my death. What is there to mourn about a life lived to the fullest in spite of very humble beginnings and many challenges. Yet having mothers across continents makes me appreciate my children beyond any measure. If they had any doubts l asked them to look at that smile on the photo. I could write a book about all the things that were happening at that time. I had been in the U.S for about three years and I was already an American citizen with a scholarship.

I then showed them the picture of the screen of Mama Nancy of his son and I on her Apple Watch. Everyone wants to be known, but it’s far much to serve and loved. That is what I call Life Worship. They we die nowadays shows that many still live under the shadows of colonialism where we exist solely for the benefit of others. In other words some have been dead long before the funeral and they end up being buried by the dead.

Indigenous Gastronomy for a Buck

I recently passed through JF Kennedy Airport in New York. This was the l same place I landed when I first came to America at the tender age of 20 years. I had left Gathíngíra, my ancestral village and the alma mata of my indigenous gastronomy the previous day aboard a Pan Am flight. Coincidentally, the connecting flight in Frankfurt was delayed, I therefore missed my connecting flight from New York to Memphis. The airline booked us into a Holiday Inn Hotel about 15 minutes away from the airport. A free shuttle from the hotel picked us up for free. 

That ride to the Holiday Inn hotel was my first ride on the American road. As a student, my experience was tampered with by concerns about the cost of everything. I had money for only one year but yet I was enrolled at a 4!year program. After all, Central Bank of Kenya only allowed the dollar equivalent of Ksh 5,000 in allowance which came to $312 at that time. I will not even bother you with the revelation of the current dollar value of that allowance as it might spoil your appetite.


Back to the road and shuttle experience. I remember the grin on my face as I fumbled with my heavy suitcase, loaded with everything I thought I would need. As I got to the exit door, I asked the driver how much I needed to pay. The nice muddled aged African American lady fondly replied “ It’s free honey”. Those words were truly honey to me. So I saluted the beautiful lady and hurried out of the shuttle. 

As I landed and rushed to catch up with the rest of the passengers who were just alighted from the shuttle, a bulky middle aged Caucasian male headed towards me even before I could catch up. The main entrance to the lobby of the hotel was only about 15 meters away. The gentleman had a broad smile and warmly welcomed me to Holiday Inn. The black suit and white shirt made me think that this gentleman was an employee of HI Hotel. So when he reached out for my bags, I didn’t even resist. I simply walked behind him as I observed everything going on around dusk in that hotel. 

My guide walked straight to the front desk and lined up. In a few minutes, he was in front of the hotel assistant. He advised me to produce the voucher and my passport. In less than 3 minutes, a key was handed to my chauffeur. He signaled for me to follow him to the elevator. In a few minutes the elevator was on the 4th floor and we alighted. We walked past to six doors to the left and he stopped. He stuck a plastic card on a slot on the door and the door opened into a cozy room that was dimly lit. He held the door open with one hand and pushed the luggage inside without stepping inside. I then followed suit as he held the door open. 

As I contemplated about the room, the atmosphere and the reality that I had finally arrived in the U.S, I forgot the awkward position I was in to be served by a Caucasian in simple manual tasks. My perception was that most Caucasians and Americans were quite well off.  So thinking that the assistance I was getting was just part of the hotel service, I thanked the gentleman, wished him a wonderful evening. I tried to push the door closed as I finished my last statement. 

I was surprised that the guy who was so nice for the few minutes we had been in contact all of a sudden changed his demeanor. He was now serious, bordering contemptuous look. He firmly reported that we worked for tips. What an anticlimax, had I known that, I could have carried my own bags. I reluctantly reached into my pocket and removed my wallet. I pulled out a crisp one dollar bill and extended my hand with the bill towards the chauffeur, who was still propping the door open. He looked at the dollar bill as I held it out to him as if he wasn’t sure if it was legal tender. He then looked me in the face with disdain and let go of his hand propping the door open. As the door closed slowly, he slightly leaned forward as if to interject his remark quickly before the door shut. “ I fucking don’t take one dollar or coins for my service. Keep it!”


I graciously took my dollar back and tucked it back into my wallet. That is a dollar I could use.I had probably had taken a grandmother from the village a whole day to earn that dollar that the gentleman was turning down. I actually remembered a grandmother who had donated some eggs to be auctioned at my fundraiser a mere two months prior. In some ways I felt as the turning down the dollar was a salute to all the men and women of my village for their sacrifice to send me to college. I turned around and looked at the beautiful room with a mirror to my left. I could see myself in a life size mirror with a suit and tie headed to college and yet I didn’t have a dollar to spare for a tip.


I remember my first experience of New York back on that fateful day of September in 1989. How I wish I had taken a picture of the hotel room. To avoid the same mistake, I took a picture of my legs with shorts and tennis shoes. As though the contrast wasn’t big enough, I am heading to Zurich for a brief tour meeting and a  residency at the HKW Museum in Berlin. If I could run into the same guy again today, I would love to invite him to dinner as a return on his investment of one dollar bill he contributed to my education and my dream to work in activism. I would hold the door open for him to enter and enjoy a serving of both food justice and service etiquette. His was a dollar that was sour like the grapes of wrath but has been washed into blackness, sustaina and important common sense. May he eat well wherever he is. 

So here I am in some tennis shoes and shorts going to speak at The Tongue and Throat Festival for a tip that is over two hundred dollars more than my first semester fees which I paid two days later. That amount was exactly half of the amount of money I had left after paying for my flight. My memory is how a young man from my village in a suit was so blessed by the snob from someone who didn’t understand how valuable that snob was to people miles away in the village but is tens of thousands more miles ahead in the people who will remember my words through their tongues, throats and memories. No wonder there are three parts to my cuisine: past present and future. That cuisine is my suit now, I don’t need to wear expensive and foreign European suits and ties, my tongue, heart and mind are my garments that I flaunt. It’s the garments I dress those whom I have the pleasure to commune with. Every time a soul hears, chews and swallows the wisdom from Gathíngíra, my ancestral village, they uplift that village and give it another lease of life.  I also dress those souls with a three piece suit of indigenous gastronomy for a buck.

Food And African Queens

As the Spring season was getting fully underway, I could see all the signs from my small backyard garden that the year is most likely going to be one of bountiful harvest. The strawberries were at their peak and the Russian Kales and Dandelions were ready for the first picking. The neighbors' trees had been hanging over the back part of the small garden and thereby making it difficult to grow anything in the back part. I had spent the weekend cutting down the branches obstructing the sun but I was forced to take a break on the third Saturday for a good cause. Anne Hrrison had invited me to participate at the ribbon cutting ceremony to officially open Simple Gifts Community Garden at its new location. I had been a member of that garden going back to 2008. In fact, some of the strawberries and mint I was growing in my backyard came from the first site of the garden off of Highway 55. I did not have to think twice before accepting Ann’s request. It was not the first event I had done at the garden and I always appreciate any opportunity to share with my community. But when I checked my calendar I realized that I had another event to attend later that afternoon. Since our community garden is about 20 minutes away from Cary Theater where the afternoon program was being held, I figured I would be able to make it to both events. 

I therefore showed up at the community garden with everything ready to make sure that I will be there for the shortest time possible without compromising the quality of my message and flavors. The plan was to give a brief talk as I shared a recipe from my cuisine. 

 While the community garden had moved a few minutes further than the previous location, it had moved from one main entrance to our neighborhood to the other main entrance on Tingen Street.  I arrived at the community garden just as the official program was getting underway.  The garden was right off the street and it was almost a replica of the first garden. The same old fence had been erected and the beautiful tiny shed with a steep roof and colorful decorations on the side was the sole building on the slightly inclined piece of land at the very end of Tingen Road. The cars had been parked on both sides down the winding road like a jigsaw puzzle and were getting longer as more and more people showed up. My station was set up to the right of the entrance, right next to the power station where I could get power without the need of an extension cord. Two assistants helped to set up the station quickly in order that we could be all set before the program started. I headed to the main entrance of the community garden where the guest of honor was scheduled to cut the ribbon. There were about 50 to 60 people present and I quickly noticed that there were only two people of African descent. The community garden has always been largely caucasian but it has always attracted a few more people of color than were present. As I waited for the program to start, I had a few minutes to catch up with members of the garden I had not seen in a while. The garden had been inactive for a few years following the sale of the land where it was first established. The ribbon cutting program was simple and straightforward and did not take much time. It was during the ribbon cutting that I noticed that the other person of color in the crowd was actually the town’s mayor. I had never met him before.  He was casually dressed, with a pair of jeans and a colorful shirt that was untucked. But it was his shoes that really caught my attention. He had some golden boots that were glittering in the Spring morning sun from afar.

The brief remarks were made by Anne, and his assistant before the ribbon was cut and the program brought to an end with a prayer from the pastor of the local church where most of the members of the garden worship. As I walked back to my station which was about 20 meters from the entrance, I ran into the pastor whom I had heard Ann Harrison talk about many times. I introduced myself and remarked that it was a pleasure to see a pastor at a garden because the Christianity doctrine is based on the error of wrong eating. I continued to offer the same challenge I offer to most preachers concerning the idea of having a resident chef who deals with food literacy for the congregation. It is the only way to avoid the repeat of a serious religious problem which has caused much pain to people all over the world, regardless of their religious affiliation. Though I did not have enough time to elaborate, I was thinking about the amount of trauma that indigenous people have had to suffer as a result of the simple idea of an original sin. As I walked away, I could hear the pastor saying that she had never heard anyone put the matters in that way before. I stood by the station as I announced that I would be starting my program in about five minutes. 

True to my word, the people assembled in front of the station and attentively listened to my words with anticipation. I had enough stuff on the table to raise the curiosity of most people. But as I started my speaking, I thought about how odd it was that an African chef was speaking in front of an almost exclusively caucasian group of gardeners. It could be that the two men of African descent were probably more known both locally and internationally than the average person in attendance. It was equally interesting, considering the history of Apex town that mayor Jacques was in a position of political authority while I was in a position of authority in food literacy. As I looked at the crowd brimming with the bright sun of Spring, my mind quickly scanned the treacherous history that Africans have endured in the South over the centuries. It was a major cause of the trauma I was about to speak about. But that history too was replete with success stories of heroic triumph, especially in matters of justice. Fewer stories could easily capture that complex history than a street that was on the exact opposite of the street we were on. The Simple Garden Community Garden was on the left side of the end of Tingen Road, a street that starts from Salem street about two to three miles away. At the intersection of Salem and Tingen is a street that captures this complexity. That  street is currently named Justice Heights and it has had that name for less than five years. That street leads to what was the African American part of town and it is the neighborhood where Mayor Jacques grew up. The street’s former name was Lynch Street. Who in their right mind would think that it was a great idea to name a street lynch? 

 It wasn’t hard for me to make a case for the need of an overhaul of our approach to food. I could feel the weight under my shoulders as I knew that the topic I was discussing was one that required more time than I could afford for what was a fairly small program. So I started out by lying that I would only speak for about five minutes, knowing very well that it was practically impossible to even scratch the surface about such a complex problem and one without set procedures for analysis. Every statement I made seemed like a vocabulary. If the pastor herself had never heard that the consumption of bad food was at the center of her faith, I had my work cut out for me. I still took a stab at reaching as many people as I could by stretching the five minutes to the limit without causing another sin. I have to admit, that while it was an easy case to make, it was still a difficult and emotional task. I then bribed the attendees with a sumptuous meal that symbolized what just food could look like. I could see the spirits in the crowd lift up as they tasted Black Eyed Peas dish served with an eclectic salad made with tropical fruits of mangoes, combined with apples, pears, beets and watermelon radish. It was a wide spectrum flavor and a great way to conclude my presentation. I also served a tea made of holy basil, hibiscus flowers, fresh lemon and ginger. Everything was well choreographed to align with the message. I continued to emphasize my message as I prepared the food and also as I served. 

One of the ways in which I established how well the message sunk was by how many people come back for seconds. Though I had more than enough for the number of people present, we ran out of food as well as the tea. I felt a sense of relief looking at the empty pots and the smiling faces of those hanging around the station. One of those people was Mayor Jacques. He introduced himself and gave me positive feedback about what he had tasted. We exchanged phone numbers and agreed to meet up and discuss ways in which we could improve the level of food literacy and justice in the community. It was time for me to head out and I requested my assistants to help me load my tools of trade. I was off to the next appointment. But the idea of trauma could not be left behind. I drove past all the cars tightly packed on each side of Tingen Street. 

I headed straight to the Home Is Distant Shore Film Festival in Cary, the next town over. I have been attending the festival now for a while and even participated on the panel last year. This year was the best of all the ones I have attended. Interestingly, the last and most impactful of the features was a documentary about Chef Adegnimika Carrena from Benin. The amazing documentary was followed by a panel of local African and African American women that was moderated by an equally powerful fashionista Ciata Kromah from Liberia. It was as if it was a dream. I sat through the whole documentary wondering if I was dreaming. The main feature in the documentary was about the life of chef Adegnimika from her first ten years in her life in Benin to the being adopted soon after her father passed and the trauma of living away from home. That topic of trauma is what I have been writing and speaking about as the main topic for this year and next year. As the panel started, I looked at the three four ladies seated on stage with the banner in as the backdrop with the title of “Borders of  Belonging: Stories of Immigration and Identity. Four countries of regions were represented: Ghana, Benin, Liberia and the American South. I looked at Ciata Kromah and chef Adegnimika and they were both dressed in fabulous outfits with orange or bright yellow that reminded me of the sun. I too had a bright orange shirt. All this reminded me of the golden shoes that mayor Jacques was wearing that morning. It occurred to me that the two colors dominated the men in the morning and the women in the afternoon.

 My friend Aby Rao put on one of the best selection of short films since I have been attending this Festival. Aby and I share an interest in community activism and once tried to have a food show at the same theater where the message I would be sharing on stage was equally reflected in the flavors that the guests would be tasting. It was a brilliant idea but the logistics of the food preparation made it difficult to execute. 

Soon after our meeting with Cary Theater, Cary Park reached out to me with an interest in doing a food event at their wonderful location. It took quite a bit of going back and forth but we finally agreed on doing a presentation around food and pollination. 

So when I showed up at Cary Theater from an earlier talk that morning, I had all sorts of ideas swirling in my head from my collaboration with Aby Rao to the complexities of living in exile as an African. But the predominant idea was the symbolism of the golden shoes that the mayor of my town, mayor Jacques Gilbert, had been wearing during the Simple Gifts Community Garden I had just left. Ann Harrison, the garden manager, had invited me to be part of the program. The mayor was the chief guest and therefore had the honor of cutting the ribbon. Mayor Jacques is an African American in a town that is 74% Caucasian and 9% African American. Only the mayor and I were of African descent. A lot of ideas were flowing in my head but that is a story for another day. Yet I could not miss the ironies of the opportunities and challenges that we face as a people in terms of the historical trauma we face as a people, and by extension as a country and globe.

Upon entering the theater, I noticed Ciata Kromah seated at the end of one row with bright African fabric with yellow as the dominant color. Later on I ran into chef Ade who also had similarly bright colors. Chef Ade and I knew each other but had never met before. We had much in common and shared a deep interest in African food and food justice. It was therefore a big surprise when I learned that a short documentary about her life was the main feature. In the documentary she too raised the same issue I had raised at the community garden. 

Ciata Kromah moderated a panel of three African and African American chefs in the region. It was a truly emotional scene for me. There were three  African countries of Benin, Ghana and Liberia  in addition to the American South represented in the panel. Those places represent a significant sample of regions that were significantly affected by the history of enslavement. Ghana was once called the Gold Coast for its enormous amounts of gold that ultimately ended up in the West and opened the region to the trade of slavery.

Benin on the other hand was the site of great trauma as recorded in Zora Neal Hurston last book titled “Barracoon, the Story of the Last Black Cargo”  that touches on the experience of one of the victims of the Amazon warriors. Stanley B. Alpern did an equally extensive study of the evolution and reign of Amazons from the mid1600s to the end of the Dahomey kingdom in 1894.  His book, “Amazons of Black Sparta: The Women Warriors of Dahomey”,  narrates the story of the king’s all female regiment that was critical in leading the raids and capture of  neighboring Africans that would be traded as commodities. The name of the Amazons warriors was a curious one as it was first written in Greek Mythology. Homer first wrote about these women warriors but not in much detail. Homer mentioned that the Amazons warriors were defeated by the Athenians. The tale is considered to be a myth but was repeated every year during the annual public funeral done in memory for all the Athenians who had died in war.  While Homer and Herodetous left accounts of the Greek Amazons, we know that those stories were myths. But the African Amazons were real. As I looked at chef Ade, I couldn’t help but remember the Greek story of queen Penthesilea who fought against Achilles in a fierce battle in bid to help Troy following the death of  Hector, their most powerful warrior. It was as if the story first written by the Greeks was being played out in real life on African and American soil.  

Ciata Kromah represented another country that suffered the most recently from the complexities of the long relationship between Africa and America.  Liberia was formed as a country that would be a home for the former enslaved Africans. Some Christians and politicians alike had been instrumental in advocating for freed Africans to be repatriated back to Africa following their emancipation. Liberia was a replica of the U.S in its design. The country’s constitution was based on the U.S. constitution and there are two major reminders of that historical connection between the two countries. The flag of Liberia has one star just like the American flag which has more stars representing the 50 mainland states. There is also a town in Liberia named after the 15th U.S president, James Buchanan. But the plan of creating an African country based on American ideals mimicked some of the negative aspects of American history such as the division of the country along class lines. Those African Americans who returned to Africa dominated political power to the detriment of the local communities. The country slid into a brutal civil war which led to hundreds of thousands of deaths but also a traumatized generation of children who were used as soldiers. Trauma is our history.

As I headed home it occurred to me the possible symbolism of important events I had witnessed. The mayor's golden boots were an antidote to the “Achilles heel” in the struggle for power amongst Africans, especially men. The African and African American women chefs were symbolic of the modern day Amazon warriors. The story of these warriors was first by Homer about 1200 B.C.E. The Amazonwomen were greatly feared and were believed to have been the descendants of Aries, the god of war. That chef Ade was from Benin and the daughter of the country’s late commander, couldn’t have been a coincidence I could ignore. 

To combine these modern women chef warriors and conscious political power of the likes of the mayor can be a game changer, especially if you add a Kenyan with the uncompromising spirit of the Mau Mau in that mix.  I headed home a happy soul  to have toiled yet again for a brighter day and eager to accordingly hasten that day of a universal Royal Jelly. It’s coming y’all. I could feel it. We had endured so much treachery and survived our betrayal and incompetence all within living memory. I remember the recording of an ethnographer who interviewed one of the last living Amazon warriors in Benin. While walking on the side of the road, the old hunched warrior heard a sound of what appeared to her as the sound of a rifle being cocked. She immediately went into warrior mode and rolled over into the nearby ditch. She cocked an imaginary rifle and made the war cry of the Amazon warriors. The war cry is now recorded and it went as follows:

The blood flows,

You are dead,

The blood flows,

We have won,

The blood flows, it flows, it flows,

The blood flows, 

The enemy is no more.

The above war cry was a reminder of the dark days of injustice at our hands.  Now that we understand that unjust food is our original and ultimate sin that leads us to death , we should all raise the battle cry for the war against the enemy of unjust food  and the enemy will be no more. The demolition of the old order would open new possibilities for building a more just society and future. The army of African descendants could be instrumental in that process. I couldn’t resist thinking of the whole team in terms of construction of a new house. The most common piece of wood in the construction of modern houses is a 2 by 4 and that is the exact formula of the above team of 2 men, and 4 women. The two men represent African and African Americans while the modern Amazon women constituted 3 Africans and 1 African American.

Yet I remembered mayor Jacques golden shoes, then noticed my golden shirt that represented the energy of the sun that connects us to my Kenyan ancestors who fought for liberation. My region did not participate in the Transatlantic slavery web but we ultimately ended up being part of a colony and later a country whose coastal region was also notorious in capturing Africans for the slave market. That is the energy I felt I was adding to the space. It was a day full of intense emotions but nuanced with the bright light of small victories that are harbingers of what is possible. 

As I left the Theater, I walked briefly at the Cary Pak where I will be presenting in a couple of weeks and reflected on my topic for that day and its connection to trauma. I saw bees all around the flowers in the park. It occurred to me that bees had solved the problem of trauma through food and did so a long time ago.  The bees while making a honeycomb makes one of two compartments with odd shapes. While all the eggs in the honeycomb are all from the same queen. The oddly shaped comb gets a different diet of Royal Jelly. All the bees that collect that type of jelly know not to feed it to all the bees but only those inhabitants of the odd combs. That is how queens are made. America is a comb of worker bees, the majority eat a poor diet and the royal members of the country eat the equivalent of Royal Jelly. Afro Futuristic Conscious cuisine is the modern day Royal Jelly that brightens a dark past with sunny flavors for a people in exile in a country whose cuisine is itself  exiled by food illiteracy. It was truly a day of Royal Jelly. I know that as I took the golden boots by the mayor and the bright colors that Africans had on represent a new dawn of possibilities. But first we have to change the type of “comb” we have in our head for it will determine what we seek and ultimately what we eat. The “comb”most of us are in is that of Death Worship or Trauma. We have to shift to having combs of Life Worship which rely on “Royal Jelly “. But we must first forgive the injustices of the colonizer and the enslaver but we can’t forget the foods and flavors that kept those injustices turning us into worker bees. We will never be kings and queens again as long as our appetites are shackled.